Embodied Fluidities, 2025- (work in progress)

Inspired by a short story by the Icelandic writer Ragnar Sigurðardóttir, the multidisciplinary work 'Embodied Fluidities' can be understood as an artistic approach to Iceland's nature and culture - particularly its connection to the sea - in relation to processes of identity construction.

It can be situated at the intersection of fact and fiction. Documentary elements of real topographies are combined and layered with moments of performative appropriation of materials and found objects, as well as still-life-like images in photographs and associative video shots, whose correlations create narrative spaces for interpretation.

The result is a surreal visual world that blurs the boundaries between experienced reality and imagination.
'Embodied Fluidities' can be understood as an artistic dialogue that questions how places shape identity and how identity, in turn, makes landscape readable and interpretable.

In this way, Iceland doesn't just become visible as a geographical location, but as a fluid structure and projection surface for cultural, historical, global, and personal meanings.